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PreSonus Studio Channel Vacuum-Tube Channel Strip
- High-voltage Class A 12AX7 vacuum-tube mic/instrument preamplifier
- Gain, Tube Drive, HP filter, -20 dB pad, phantom power, polarity reverse3-band EQ features variable-Q on mid-band w/ peak/shelving on high- and low-bands
- Variable VCA compressor with Auto Attack/Release and Soft/Hard Knee
- 3-band EQ with parametric mid and semi-parametric, shelving/peak low and high bands
- Instrument, line, and mic inputs
- 1U 19” rack-mountable, rugged steel chassis
Product Description
The Studio Channel is great for studio and live use. Its Class A preamp features a high-output 12AX7 tube and Gain and Tube Drive controls. The full-featured, VCA-based compressor includes Auto Attack/Release. The EQ can be pre- or post-compressor and has a fully parametric mid band and semi-parametric high and low bands that can be shelving or peak
From the Manufacturer
The Studio Channel is a professional channel strip combining Class A tube preamplifier, VCA-based compressor and three-band parametric equalizer perfect for the professional and project studio. Great for all types of microphones, instruments, keyboards and synths, the Studio Channel has the sonic power and flexibility to achieve any tone you can dream of – luscious in your face vocals, crystal clear acoustic guitars, fat solid bass guitar, dynamic acoustic piano, cracking snare, punchy bass, huge MPC tracks and more.
Enhance your signal path
The Studio Channel noticeably outperforms preamplifiers that are built-in to most recording interfaces and affordable mixers. Add a VCA-based compressor and studio-grade equalizer to the class A tube preamp and you get not only big fat tube tonality but also complete control of your tone and sounds. Since much of the recording process is accomplished one track at a time, you need a signal path that can deliver a variety of high quality tones and sounds, which is why the Studio Channel is the perfect tool for any studio.
Class A Tube Preamplifier
The Studio Channel has everything needed to deliver big tone. The preamplifier stage of the Studio Channel is based on the award winning BlueTube preamplifier with a high output 12AX7 vacuum tube operating on voltages double than all other preamplifiers in its class delivering high headroom and big tone. Dual control Gain and Tube Drive enables a wide range of sounds from transparent and clear to edgy and overdriven.
Full Featured VCA Compressor
The compressor in the Studio Channel is a fully variable ultra-fast and smooth VCA-based circuit with all of the controls needed for a wide range of compression settings: ratio, threshold, attack, release and gain make up. The VCA-based compressor is known for musicality as well as ultra fast attack with the ability to tame the fastest transients. From slap bass, to snare drum, to vocals, the Studio Channel’s compressor stage allows you to record as hot as needed without clipping giving you total dynamic control.
Three Band Parametric EQ
The equalizer in the Studio Channel is like a Swiss Army pocket knife, with the ability to carve out unwanted frequencies as well as tailor your tone to enhance your sound. The custom-designed amplifiers in the EQ deliver sweet-sounding gain/cut for ultra smooth highs, deep solid lows and clear midrange. The mid-band of the EQ section has variable Q for controlling the width around the center point of the selected frequency. High and low frequency bands give you the option for selecting peak/dip or shelving frequencies.
| Channels | One | |
| Dynamic Range | >115 dB | |
| Frequency Response | 10 Hz to 50 kHz | |
| Internal Operating Level | 0 dBu = 0 dB | |
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| Microphone Preamp | ||
| Gain | -6 dB to +66 dB (+/- 10dB trim on line input) | |
| Noise Floor | -96 dBu | |
| EIN | -126 dB | |
| THD + Noise (0% Tube Drive) | < 0.050% | |
| THD + Noise (100% Tube Drive) | < 0.10% | |
| Microphone Input Connector | XLR | |
| Microphone Input Impedance | 1.3 kΩ | |
| Instrument Input Connector | ¼” TS | |
| Instrument Input Impedance | 1 MΩ | |
| Line Input Connector | ¼” TRS | |
| Line Input Impedance | 10 kΩ | |
| Phantom Power (switchable) | +48V | |
| Pad (switchable) | 0 dB / -20dB | |
| Phase (switchable) | 0°, 180° | |
| Hi-pass filter (switchable) | -3 dB at 80 Hz | |
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| Compressor | ||
| Threshold (variable) | -40 dBu to +2- dBu | |
| Ratio (variable) | 1-10 (1:1 to 2:1) | |
| Attack (variable) | 0.1 to 200 ms | |
| Release (variable) | 0.05 ms to 3 S | |
| Gain Make Up | -10 dB to +10 dB | |
| Metering | Analog VU (Gain Reduction / Output) | |
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| Equalizer | ||
| LF Band Controls: | ||
| Frequency | Variable from 40 Hz to 500 kHz | |
| Gain | Variable between ±10 dB | |
| Q | 0.7 (on ‘peak’ setting) | |
| MF Band Controls: | ||
| Frequency | Variable from 200 Hz to 3 kHz | |
| Gain | Variable from -10 dB to +10 dB | |
| Q | Variable from 0.7 to 2.5 | |
| HF Band Controls: | ||
| Frequency | Variable from 2 kHz to 20 kHz | |
| Gain | Variable between ±10 dB | |
| Q | 0.7 (on ‘peak’ setting) | |
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| Master | ||
| Output Fader | -80 dB to +10 dB | |
| Output Connectors | XLR Balanced and ¼” TRS Balanced/Unbalanced | |
| Output Impedance | 51 Ω | |
| Metering (Output level) | Analog VU (-20 dBu to +6 dBu) | |
| Metering (Gain Reduction) | Analog VU -20 dB to 0 dB | |
| Output Headroom | +22 dBu | |
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| Power Supply | ||
| Type | Linear | |
| Input | 16 VAC / 1000mA | |
| Power Requirements (Continuous) | 16W | |
| Transformer | External (country specific) | |
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| Physical | ||
| Size | 1U Rack | |
| Dimensions | 19” x 1.75” x 5.5” | |
| Weight | 5 lbs | |
Nady SRM-10X 10-CHANNEL Compact Stereo Mic/line Mixer
- Two mono channels with trim, bass, treble, pre/post aux send, level controls, low cuts, PFL switches, and inserts
- Four stereo channels: two with level controls, bass/treble, balance controls, pre/post aux send and PFL switches
- two with level controls and PFL switches
- Tape-in RCA jacks with level control and PFL switches
- Tape record out RCA jacks
- Peak LEDs on mono channels
- Two mono channels with trim, bass, treble, pre/post aux send, level controls, low cuts, PFL switches, and inserts
- Tape-in RCA jacks with level control and PFL switches
- Tape record out RCA jacks
- Peak LEDs on mono channels
- Four stereo channels: 2with level controls, bass/treble, balance controls, pre/post aux send and PFL switches.
- 2 with level controls and PFL switches
A versatile, useful, and very affordable small mixer. The Nady SRM-10X Mixer is designed for numerous studio and stage applications, from keyboard and monitor mixing, to MIDI studio and video mixing. Ultralow noise mic preamps, full-spectrum frequency response, wide dynamic range with superior headroom, separate master mix, control and headphone outputs, pan pots on each mono channel and balance pots on stereo inputs, a high-strength steel casing, and superior construction for long life and reliability. The mixing console provides 2 mono channels with selectable phantom power and 4 stereo channels for a total of 10 discrete inputs. Also has stereo tape inputs.
PreSonus AudioBox USB 96 2×2 USB Audio Interface
- Bus-powered USB 2.0 audio and MIDI interface
- Compatible with almost all recording software for Mac and Windows
- 24-bit resolution
- 44.1, 48, 88.2, and 96 kHz sampling rates
- 2 combo mic/instrument inputs with high-performance, low-noise, high-headroom mic preamplifiers
- Includes Studio One Artist DAW software and 6+ GB of third-party resources
- Includes the Studio Magic Plug-In Suite
- Frequency Response is 20 Hz to 20 kHz
A great choice for mobile musicians and podcasters, the 2-channel AudioBox USB 96 is bus-powered, compact, ruggedly built, and works with virtually any PC or Mac recording software. It boasts high-performance Class A mic preamplifiers and professional-quality, 24-bit, 96 kHz converters. And it comes with PreSonus’ amazing Studio One 3 Artist DAW software for Mac and Windows.
Conclusion
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